"In the end, the core of the dance was gradually layered by those of course, seemingly anecdotal or capricious expressions, which helped to solidify this wonderfully cohesive gem of a show."
02
A dance review by Ashley Henry - "The Prickle"
"The choreography (Eyal Dadon) is constantly surprising, weaving unpredictably in and out of styles: one moment surreal ballet, the next disturbing contemporary contortion. The overall effect is funny, yes, but also gripping from start to finish."
03
"DANZA WEB" Magazine makes an interview with Eyal Dadon about his creation "YELED" for Aterballetto, italy.
"Without a doubt, this is one of the most impressive endings you will ever see."
"To establish a Company in Israel now days is to do the impossible. To be based on absurd budgets with amazing and incredible dancers who left companies like the Kibbutz Dance Company, Bat Sheva, Inbal Pinto or Vertigo, is to do the impossible. To perform at the National Theater in Prague with three different pieces 4 days, it's unbelievable. To do international collaborations with demonstrations outside the halls is to do the unbelievable. And it's amazing as it can dissolve at any second, like In Israeli survival, no one guarantees you that it will work, every piece is in doubt."